Monday, June 24, 2024

Halloween Lilly Accordion Rectangle Card

Made for the ECD Susan Tierney-Cockburn Design Team

I just love Graphic 45 papers, especially the Halloween pads! It was so much fun using the coordinating 6x6 and 8x8 Rare Oddities papers - the colors and designs, oh my! For the front of my card, I created a lily in purple and black (based on the Landini Lily images I found online) using Susan Tierney-Cockburn's beautiful Lily dies; prefect for my Halloween theme.

Copyright Notice: ©Mary Dimercurio Prasad. All rights reserved. Any illegal reproduction of this content, including images, will result in immediate legal action.

Disclaimer:  Please help support my work in this small way - just use my links if you plan to purchase anything - there's no extra cost to you. Here's the official jargon: links, affiliate links, and cookies may be used in this post and on this site. Using this site implies your consent. I participate in the Amazon Services LLC Associates Program, Share a Sale, and other affiliate programs; these affiliate advertising programs provide a means for me to earn fees by linking to amazon.com and/or other affiliated sites. This helps offset a small portion of my crafting addiction... uh, hobby. I am truly thankful for your kind support! I also receive free products from companies, possibly monetary compensation, and sometimes free products for review. Regardless, all opinions are my own. Google and Blogger use cookies to provide and improve their services. See Notice at the bottom of this blog for a longer description and/or see the full Privacy Policy
 for even more details.

Making the Card

Note: basic color and word sheets come from 6x6 Graphic 45 - Rare Oddities pad, other decorative papers (books, butterflies, etc.) from the 8x8 pad.

1. From black cardstock, die cut three copies of the main Accordion Rectangle as the card base. Also cut green newspaper print/cream background paper using main Accordion Rectangle. Adhere it to one of the black card bases then cut the connecting tabs and flap off (see instructions in packaging); this will be the last panel of the card. For the first panel, which will be the front of the card, using the decorator die (largest rectangle die), cut the purple with cream words paper from 6x6. Adhere to center (flap to right).

2. Cut leaves and stem of Garden Notes - Lily from green page. Using applicator, shade with green Pan Pastel (I folded the leaves backwards down the middle to chalk the center line). Optional: you may use Distress Ink as shown in the video - Peeled Paint should work. Cut petals and stamen from purple page. Using blending tool to add Dusty Concord Distress Ink covering the side with words and as shading to purple side of petals and stamen. Add Black Soot Distress Ink to top and bottom of both sides of each petal as well as stamen. With a watercolor brush, brush some Black Soot in stripes down the middle of each petal (I used the originally purple side of the paper as the fronts for the stripes, which will form the inside of the petals). Shape flower and assemble as instructed in video below. Note: I used black embossing powder as pollen on the ends of the stamen.

3. Using Katie Flourish Frame Edges, cut 4 long edges and 4 short from purple paper, 2 long edges and 2 short from both orange and green. Adhere purple forming frames on both sides of first panel (step 1). Adhere orange to middle (flap right) and green to last (no flap).

4. Tie two pieces of twine together into a bow. Optional: the white was too bright against the cream in the card so I used Antique Linen Distress Stain and water to antique it. Cut cream tag using small tag on the main Tags Pivot Card; trim to a single tag (note: I used a scrap just larger than the last tag). Stamp October word background with Concord Grape Distress Ink 2nd generation stamping, i.e. stamp first on a scrap then on the tag. I used Cherish the Day CTMH stamp set, but it might be difficult to find; you may substitute it with any Halloween related word stamps. Using blending tool, add some of the same ink to edges. Sand to give it a grunge look, concentrating a bit more where the "Happy Halloween" will go. Stamp "Happy Halloween" in black near bottom of tag. Adhere flower and leaves to front panel as shown - I cut the stem and pieced it so it would go in the direction I needed to put the flower in the corner and have the stem behind the tag. Adhere tag using dimensional tape. Adhere bow as shown.


5. Cut raven, cat, tree, and bats from black cardstock. Add eyes to cat with yellow or green Milky pen (or paint with acrylic). Use cream Pan Pastels to add highlights to backs of raven and cat. Also add some to the tree. Add a dot of black Enamel Accents for raven's eye. Cut pumpkins from orange paper (I also cut stem area from green, trimmed excess, then glued on pumpkins). Use paintbrush to add lines with Rusty Hinge Distress Ink. Trace pumpkins on yellow cardstock. Cut just inside the lines; glue behind pumpkins to make eyes "glow."

6. Cut pieces of 8x8 patterned papers shown on middle card - books, butterfly strip, "Bewitched" strip, and bottle label. To make the pieces fit perfectly, use the main Accordion Rectangle die to cut them: first rough cut each piece larger than where it will be placed, then looking through die, tape with Post-It or other removable tape before cutting. Adhere where shown (I glued in this order, books, bottle label - not overlapped, butterfly strip, "Bewitched" strip. Mask butterfly strip and above then stamp spider in black where shown (I found the spider stamp in the dollar bin at my local craft store - if you can't find one on a web strand, just stamp a small spider and draw a line down using a black pen). Adhere cat and raven as shown.

7. For the last panel, temporarily place tree and trim branches as desired - if any stick off the left side, cut them off (I did this after gluing). Adhere tree but don't put glue where large pumpkin will be placed; adhere pumpkin slightly under tree. Adhere small pumpkin with dimensional tape. Adhere bats where shown. For a little dimension, I bent a couple bat wings up (you could do a double layer of bats with top set of wings bent up if desired). Adhere enamel dots where shown. Assemble card as per instructions on packaging.


Supplies

Elizabeth Craft Designs
  • 972 Accordion Rectangle (updated to Karen Burniston's new versions)
  • 995 Garden Notes - Lily
  • 989 CountryScapes - Country Critters 1 (Raven, Cat)
  • 1078 CountryScapes - Backyard 3 Apple Orchard (Tree)
  • 1080 CountryScapes - Build a Scarecrow (Pumpkins)
  • 1082 CountryScapes - Critters 4 (Bats)
  • 973 Tags Pivot Card (updated to Karen Burniston's new versions)
  • 977 Katie Flourish Frame Edges
  • 808 Susan's Garden 4pcs. All metal Tool Set in Luxury Case
  • 810 Large Molding Pad
  • Pan Pastels: Susan's Garden PanPastel Flower Coloring Kit 3 - 30117 (Green, Cream)
  • Double Sided Adhesive
Other Supplies
  • Cardstock: Black, Cream, Yellow
  • Graphic 45 Paper: Rare Oddities 6x6 and 8x8 Pads
  • Distress Inks: Dusty Concord, Black Soot, Rusty Hinge
  • Embossing Powder: black
  • Optional: Antique Linen Distress Stain
  • Twine: White/Light Purple/Dark Purple (Tricolor)
  • Happy Halloween Stamp
  • CTMH Stamps: Cherish the Day #S1111 (Stamp of the Month November 2011), Just to Say from Artfully Sent Cricut Collection #D1629
  • Milky: Yellow or Green OR Acrylic Paint
  • Enamel Accents: Black
  • Spider Stamp
  • Dimensional Tape
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Bunny Easter Card with Xyron Adhesive and Doodlebug


This is my first post for the Xyron Design Team! I love Xyron adhesives (and lamination!). I have a 9 inch Creative Station that also accepts 5 inch cartridges. I have an old 9 inch Xyron as well - still in working condition - my husband uses it a lot to make player aids and other stuff for board gaming. The new design is much more compact - great for a craft room!

I like to add permanent adhesive to cardstock and paper before die cutting, or add it to die cuts that I cut using my electronic cutters (Silhouette Cameo, Cricut Maker). Instant stickers! This makes it easier to assemble, especially when there are lots of pieces.

The theme for this card is Spring/Easter. I chose to use Doodlebug Design Bunnyville paper (6x6 pad). This formed the color palette for my card. I used Karen Burniston's Twist Panel Pop-up dies for the inside of the card - a fun surprise when opened!



Copyright Notice: ©Mary Dimercurio Prasad. All rights reserved. Any illegal reproduction of this content, including images, will result in immediate legal action.

Disclaimer:  Please help support my work in this small way - just use my links if you plan to purchase anything - there's no extra cost to you. Here's the official jargon: links, affiliate links, and cookies may be used in this post and on this site. Using this site implies your consent. I participate in the Amazon Services LLC Associates Program, Share a Sale, and other affiliate programs; these affiliate advertising programs provide a means for me to earn fees by linking to amazon.com and/or other affiliated sites. This helps offset a small portion of my crafting addiction... uh, hobby. I am truly thankful for your kind support! I also receive free products from companies, possibly monetary compensation, and sometimes free products for review. Regardless, all opinions are my own. Google and Blogger use cookies to provide and improve their services. See Notice at the bottom of this blog for a longer description and/or see the full Privacy Policy
 for even more details.

Making the Card

1. I looked through my library of SVG files to find a bunny that closely matched the one in the Doodlebug Design Bunnyville paper pad. I chose to use the Easter Bunny from Miss Kate Cutables. I didn't want the cheeks, mouth, or shading though. I also wanted to add a bow and outfit to more closely resemble one of the bunnies in the paper pad designs. I used the "easter bunny-apart" SVG file and cut it with my Silhouette Cameo.

Used the Silhouette software to edit the file. First resize the image (I think I used 3 inches in height - just use the grid to measure one of the bunnies as you drag one corner until you have the size you want), then ungroup the image to separate the images. I deleted all images I didn't want (i.e. remove all but the simple eggs and delete bunnies 3, 4, and 5 counting from the left). Note: in my screen shot further below, you will see an extra white bunny layer, without a face but with ears cut out, on the right - I didn't end up using it; my original intention was to use it for filling in the eyes and nose but the pink bunny layer worked well enough for this, as you will see. Just cut the white bunny (ears filled in) on the right with pink cardstock (you can change the fill to pink if you like).

To edit the points, first select the layer to edit then click the tool below the move tool - if you hover over it, it says "Edit Points." Now you can click on points and drag to move, remove them (delete), or change the curves (by moving attached handles). I deleted all points for mouth and cheeks. Holding the control key while clicking brings up a menu (I used a Mac; this is the same as a right click). In hindsight, I wish I had made the eye holes bigger and moved the face further down. The eyes are not as big as they look in the original image above. Note: the colors do not matter - the cardstock that you cut does. I changed the fill (color) to match what I wanted in the final cuts. Again, you really only need three bunnies, the one with the face, the outline, and the white one (which I made pink).


Optional: to make a girl bunny, I found a file with a bow and edited/resized it. If you don't have one, just skip this and make a boy bunny with blue clothes. My file before cutting looks like the one below (you may want to save the file before proceeding to cut).


2. On your Silhouette cutting mat, arrange the cardstock and patterned papers. I cut each piece a little bigger than necessary to give me some wiggle room. Place each piece on the physical mat to match its corresponding image placement on the software mat grid. For example, the grass is between 4 and 5 1/2 inches vertically and between 0 and 3 inches horizontally. I added green patterned paper in this area. Your cursor should have lines going in each direction so you can read the positions on the rulers easily.

Cardstock and Papers Used
  • White bunny: white cardstock
  • Gray outline: light gray cardstock
  • Pink bunny: pink cardstock
  • Grass and ground: Gingham-Linen Rainbow Petite Prints
  • Blue and orange eggs: Gingham-Linen Rainbow Petite Prints
  • Yellow and pink eggs: Dot-grid-daisy-stripe Rainbow Petite Prints
  • Girl bunny clothes: Dot-grid-daisy-stripe Rainbow Petite Prints
Silhouette mat with cardstock and patterned paper (don't need right white piece)

After cutting and removing most of the scrap parts

3. After cutting all the pieces, run them through the Xyron 9" Creative Station with Permanent Adhesive (you could use a 5" cartridge instead). If I have a lot of pieces, even small ones, I put them through my larger machine - I just use something like a bone folder to scoot them in so they touch the adhesive area before rolling them through. Alternatively, you may use the Xyron 1.5" Sticker Maker for small items.

Put pieces into Xyron 9" Creative Station

Use a bone folder or other tool to push small pieces further in

Die cuts after going through Xyron Creative Station plus Xyron Sticker Maker with blue egg

4. To make the card base, cut yellow cardstock 4 1/4 x 11 inches; fold in half to form a 4 1/4 x 5 1/2 inch top folding card base. Cut light blue cardstock 3 3/4 x 5 inches. Cut bunny/chick/sun patterned paper from Bunnyville 6x6 pad to 3 1/2 x 4 3/4 inches; adhere to light blue using Xyron Mega Runner. Adhere to front of card with Mega Runner.


5. Using rectangle die from Twist Panel Pop-up, die cut light blue cardstock; adhere to card front near center bottom as shown. Assemble Easter Bunny as follows:

Cut the body off the pink bunny at the chin, rounding from one side to the other with the shape of the head. You will use the body for the bunny clothes. On the white bunny, line up the light gray outline at the ears - only stick down the ears, leave the rest up. Line up the pink body with the feet and arms but do not press down. Gently put the gray outline over this and trace inside arms and legs (try not to get any pencil on the gray outline).

Pencil in lines as guides for cutting clothes

Remove the pink body and trim inside the lines to make clothes that fit over the bunny's belly. Check your cutting and retrim if necessary.

Trimmed down pink clothes

Line up ears of white bunny on pink head but do not press down yet. Use a pencil to lightly mark the eye locations (I marked it darker in the photo so it would show up). Use a brown alcohol marker (I used First Edition Graphic Markers 51 Chestnut; you could use Copic Sepia E37) to color where eyes will be. Be careful not to get any in the nose area. Adhere white layer over pink. Adhere bow where shown if desired.

Add brown marker behind eye area

Optional: once I had a template, I used it to cut the pink flowered pattern from Dot-grid-daisy-stripe Rainbow Petite Prints - you could leave it pink cardstock or trace it on blue if you want to make a boy bunny. Stick down the clothes then the outline.

Use template to cut flower pattern paper

Bunny with new clothes

6. Adhere grass ground (long oval) at bottom of blue frame on card front. Adhere grass where shown, then eggs and finally bunny.


7. Cut out "hippity, hoppity, Easter's on it's way!" label from Bunnyville 6x6 pad. Trim sides so dots are about 1/8 inch all the way around. Use 1/4 inch Corner Chomper to round the corners. Use foam tape to pop up label on card; see video below.


8. Create the inside card using Twist Panel Pop-up dies. Cut light blue cardstock 3 3/4 x 11 inches; fold in half. This will be the inside liner on which the pop-up mechanism (die cut) will go. Watch the video below before assembling. The cardstock and papers I used are listed below the video.


Pop-up arms: light blue cardstock
Pop-up panels: yellow cardstock
Panels are all decorated with patterned paper from Bunnyville
1st Panel: sunshine paper cut with rectangle die, square house scene with 1/4 inch rounded corners
2nd Panel: Easter words cut with rectangle die
3rd Panel: animal stack with 1/2 inch rounded corners
4th Panel: jelly beans cut with rectangle die, square "Happy Easter" (trim excess)
Top decoration: bunny family with 1/2 inch rounded corners
Banner flags: triangle - flower, chick, girl bunny; fishtail - boy bunny, flowers, sunshines

I used my Mega Runner for most of the adhesive and liquid glue for the rest (e.g. to glue twine behind panels). To sting the banners, cut a small slit in the middle of the curves, top left 1st panel, top right 2nd panel, top left 3rd panel, top right 4th panel. String the banner flags along the pink/white twine before securing. Once you are happy with how it is strung, glue twine from behind and trim of any excess.


Supplies
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Grunge Vintage Old World Maps Tim Holtz Distress Ink & Oxide

Vintage Maps, Old Maps, Distress Ink, Tim Holtz

I'm enamored with old and vintage maps. I've collected a few world map stamps but haven't done much with them so I decided to make some old maps to use on cards, journals, etc. I Googled vintage map images (click Images at the top) to see what colors of ink were used and how they looked aged. I made some of mine super grungy but made others with a much less. I also added watercolor pencils on a couple.

Copyright Notice: ©Mary Dimercurio Prasad. All rights reserved. Any illegal reproduction of this content, including images, will result in immediate legal action.

Disclaimer:  Please help support my work in this small way - just use my links if you plan to purchase anything - there's no extra cost to you. Here's the official jargon: links, affiliate links, and cookies may be used in this post and on this site. Using this site implies your consent. I participate in the Amazon Services LLC Associates Program, Share a Sale, and other affiliate programs; these affiliate advertising programs provide a means for me to earn fees by linking to amazon.com and/or other affiliated sites. This helps offset a small portion of my crafting addiction... uh, hobby. I am truly thankful for your kind support! I also receive free products from companies, possibly monetary compensation, and sometimes free products for review. Regardless, all opinions are my own. Google and Blogger use cookies to provide and improve their services. See Notice at the bottom of this blog for a longer description and/or see the full Privacy Policy 
for even more details.

Old world vintage maps with Tim Holtz Distress Inks

Making the Maps


1. Start with smooth ivory/cream or white cardstock - it's easier to get an aged look with cream. I was able to use some of my larger scrap pieces; they varied in thickness and surface. Use a blending brush to apply Old Paper Distress Ink all over. Don't worry if it's patchy - this just adds to the effect. To add more texture and patchiness, use a blending tool with domed foam in a twisting motion; this creates darker areas.

2a. Use a blending brush (I used a small one) with Vintage Photo Distress Oxide Ink on a craft mat or Glass Media Mat (blending area) - rub brush in ink, tap off on mat, then blend in areas of paper where you want even darker areas.

2b. Optional: if you want a very grungy look, you can add drips/splats by spraying Distress Spray Stain onto a craft mat, adding water, breaking it up with your fingers (or tool, like end of a paintbrush), then tapping paper into it. Use a heat tool between dips to add layers and also to dry final result before stamping.

Vintage Old World Map Darkroom Door, Tim Holtz Distress

3. Stamp maps. I listed three map stamps I used in Supplies, further below. The fourth was a very old previously wood mounted stamp; I don't know the manufacturer. I also listed two I didn't use but would recommend; one is the Winnie the Pooh Hundred Acre Woods stamp - so cute! The other, Antique Hero Map, reminds me of a pirate map. To get best results, use a stamping tool, such as Stamp Platform or Misti. Use VersaFine Clair ink for fine detail plus waterproof coloring. On some, I used various brown Distress Inks or Distress Oxide Inks if I didn't plan to watercolor after. These inks may stamp light so definitely best used with stamping tool unless you like that look. Note: you may use a waterbrush with Distress stamped images to add water effects, such as blurred lines. For an even bolder effect, drip of water on the image. Use a heat tool to set and dry ink. I recommend a Lawn Fawn Stamp Shammy to clean stamps.

4. Once heat set, cut out images using scissors, paper trimmer, or even dies if you have any that would work (e.g. rectangle dies). Use a Corner Chomper to round corners as desired. You may add more shading/distressing after stamping. On some I added Vintage Photo Distress Oxide Ink with a blending brush, either in spots or in a sort of frame around the edges. For the edges themselves, I used blending tool with domed foam and Walnut Stain Distress Ink, just coming in a little, then finally Scorched Timer Distress Ink where I wanted the very darkest parts, mainly in the corners.

Deep Red Old World Vintage Stamp Tim Holtz Distress

5. Optional: distress edges by tearing, bending, sanding, or using a Paper Distressing blade. Add wrinkles by bending and inking the bent edge before flattening. For more wrinkles, crumple, flatten, then lightly ink over top to catch the peaks of the crumples.

Darkroom Door World Map Stamp Faber-Castell Watercolor Pencils

6. Optional: use watercolor pencils to go around areas of the map then use waterbrush to extend and blend watercolor. I only did this on maps with waterproof ink but you may experiment with Distress stamped images for more grungy look. I tried Arteza watercolor pencils first - they were OK but waxy and not so easy to blend, especially on cheaper cardstock. I had a much easier time using Fabel-Castell Albrecht Dürer watercolor pencils; they blended like a dream in comparison.

Hint: keep your scraps and strips of paper, including inky ones. I'll be posting about how to take those scraps and make ephemera out of them.

Deep Red Stamps Olde World Map Faber-Castell Albrecht Durer Watercolor Pencils

Supplies


Wednesday, June 19, 2024

Tim Holtz, Grunge Labels, and a Lot of Inky Fun

Tim Holtz Stampers Anonymous Grunge Distress Ink Oxide

I've been creating my own ephemera, and other grungy items, for use at a later date. In this post I'm showing how I made sticker labels. This is a great way to use your stamp stash. I even pulled out a few holiday sets with stamps that could be used generically. Most of the stamps I used are still available, but a few are long out of print, including ones where I no longer have the original packaging (this was before I had a blog!). I have two butterfly/moth stamps, one from an old Sizzix set with four figures vertically on it, but the other, with three figures horizontally, was a single in my collection. It looks like Stampers Anonymous but I have no idea where I got it, or if it was part of a set or not. However I have seen similar butterfly/moths in other current Stampers Anonymous sets.

To isolate the single figures (butterfly or moth), I masked parts of the stamp using Post-it Notes or just inked carefully (using a stamp shammy if I got some where I didn't want it). For the small labels (photo further below), I used a stamp platform and home-made positioner from clear recycled plastic packaging.

Check out the glorious mess I made while creating these labels.

Tim Holtz Stampers Anonymous Distress Ink Oxide

Copyright Notice: ©Mary Dimercurio Prasad. All rights reserved. Any illegal reproduction of this content, including images, will result in immediate legal action.

Disclaimer:  Please help support my work in this small way - just use my links if you plan to purchase anything - there's no extra cost to you. Here's the official jargon: links, affiliate links, and cookies may be used in this post and on this site. Using this site implies your consent. I participate in the Amazon Services LLC Associates Program, Share a Sale, and other affiliate programs; these affiliate advertising programs provide a means for me to earn fees by linking to amazon.com and/or other affiliated sites. This helps offset a small portion of my crafting addiction... uh, hobby. I am truly thankful for your kind support! I also receive free products from companies, possibly monetary compensation, and sometimes free products for review. Regardless, all opinions are my own. Google and Blogger use cookies to provide and improve their services. See Notice at the bottom of this blog for a longer description and/or see the full Privacy Policy
 for even more details.

Tim Holtz Stampers Anonymous Grunge Labels Distress Oxide Ink

Making the Labels

1. Start with a large sticker sheet (I'll discuss the small labels further below). Use an ink blending brush or blending tool (preferably with a domed applicator) to cover the page with Old Paper Distress Ink or other light ink that will give the paper an aged look. I used a blending brush first then dabbed and blended heavier areas using a blending tool and domed foam.

2. On a craft mat or plastic packaging, spray Distress Stain one color at a time, mixing with some water if desired (I wanted the colors to be lighter so I did add water). I used Speckled Egg, Antique Linen, and Vintage Photo. Break up ink by running your fingers or other tool through it. I used the end of a paint brush. Dab stickers into the droplets, creating splatters over the labels - quickly dry with heat tool. If you do not dry between dabs, the stains may interact with each other and/or bleed; this happened to me with Speckled Egg, creating undesirable color rings and bleeds.

3. Stamp! Note: more specific supplies are listed at the bottom of the post. Use butterflies, moths, other bugs, mushrooms, numbers, signatures, labels, seals, text for background, etc. I mostly used Tim Holtz/Stampers Anonymous stamps but also used a variety of my other stamps. It was fun digging through my stash for little treasures! On some labels, I first stamped background text using Distress Oxide Vintage Photo, on others I didn't. I wanted a variety of looks. Sometimes I stamped words or numbers up the sides of labels. When using my larger stamps, I often masked off the label edges using Post-it Notes, although you can allow stamps to go over two labels if you like that look (I only did this with a label stamp; I then stamped numbers inside each half). I also used Post-it Notes to mask parts of a stamp I didn't want inked or I used a corner of the ink pad to selectively ink the stamp, removing any excess with a stamp shammy. For most of the stamping I used either VersaFine or VersaFine Clair ink to get the cleanest images but when I wanted the stamp to fade more into the background, I used Distress Oxide Vintage Photo. Note: VersaFine ink is being replaced by VersaFine Clair ink. I still have some of the older VersaFine ink pads - I will replace them as they wear out.

Tim Holtz Distress Ink Stampers Anonymous Labels

To create the smaller labels (above), I used similar techniques. I didn't add the splats though; I may go back and add them later but for now I've left them off. I used a stamp platform (e.g. Tim HoltzMisti) with a positioner I made using recycled plastic packaging. I cut the packaging to fit the platform. I put the top of a label sheet near the bottom of the stamp platform, up against the side, then lined up the stamps on a row of labels and picked them up with the door of the stamp platform. I did 4 at a time since there are 4 labels in each row, changing them out once in a while.

I put the plastic packaging in the top corner of the positioner, inked up the stamps and stamped on the packaging, being careful not to touch the images once stamped. I aligned the labels underneath to make sure the images were centered; if not, I repositioned the stamp, wiped off the ink from the positioner, and tried again. Once aligned, remove the positioner (careful not to touch the inked images), re-inked the stamps, then stamped.

To do the next row, replace the positioner and move up the labels so they align. You can change colors of ink as desired. When replacing a stamp, you will have to clean its image from the positioner and re-stamp it. Use masking and other techniques as mentioned above as desired.

Here's a look at the finished large sheet of labels. There's another close up at the bottom of this post.

Tim Holtz Stampers Anonymous Grunge Labels VersaFine Clair

Supplies

Tim Holtz Stampers Anonymous Grunge Labels Distress Ink Oxide